The work of the Mexican artist Cristóbal Ascencio explores a parent-child relationship filled with loss, silence, death and reconciliation.

Ascencio’s father died when he was 15, but he was not told that it was suicide until he was 30. It was then that he began to revisit the images, places and memories that were left to him. His father, Margarito, a gardener by profession, wrote a farewell letter in which in addition to asking for forgiveness he asked Cristóbal to contact him.

Ascencio revisits his family archive and the last garden where his father worked using various digital strategies for altering the images. He intervenes in the code that makes up his personal photographs and deconstructs the images and narratives associated with them using a glitch or digital error as a tool. At the same time, a three-dimensional representation of the garden using photogrammetry addresses issues related to the plasticity of memory, represented in the plants that his father grew, which are still alive today.

Born in 1989 in Mexico, Cristóbal Ascencio is a Mexican photographer who currently resides in Madrid while studying for a Master’s Degree in Photography at the EFTI School. With a degree in Audiovisual Media and Advertising from the CAAV in Jalisco, his practice expands to new forms of the image such as virtual reality, data manipulation and photogrammetry. In 2021 his work was selected in the PhotoSlam of Les Rencontres d’Arles (France) and his work has been exhibited in places like Gimnasio de Arte y Cultura (Mexico), Experimental Photo Festival (Barcelona), Karne Kunst (Berlin), Space Millepiani (Rome), Casa Volcán (Guadalajara) or The Curated Fridge, among others. He was part of the 1st edition of MAPS ( ; BFF – Best Friends Forever ; ) winner of Getxophoto Festival – a meeting space with the students of photography schools in Spain.

Cristóbal Ascencio (Mexico, 1989)
Las flores mueren dos veces

2022 Edition
MAPS ( ; BFF – Best Friends Forever ; ) winner
Escuela Efti, Madrid
Indoor installation
Venue: Containers of the Old Port