Gianni Cipriano
Perfect

They have become the television dream promotion during the Berlusconi era. Girls, young or mature women, who have adopted a physique –grossly retouched perhaps by aesthetic surgery– and attire that eventually acquire their impact due to the excessive repetition of a copied mass distribution model. A mixture of vulgarity and the disarming use of inappropriate standards runs through all the portraits which the coloured backgrounds, bringing to mind certain studio sets from game programmes of dubious taste, turn even more garish. Nonetheless, they really are portraits, showing poses expressing consciously proud attitudes when the damaged silhouettes are squeezed into supposedly sexy costumes, or accessories of any kind make them desperately vulgar. They seek perfection through the reproduction of a pre-existing image; they are transformed into a caricature of themselves and of the logic of women’s or fashion magazines. This collection of displaced Misses place the idea of beauty within a sociological perspective. And radically so.


D. Barbeira
J. Gómez

Gianni Cipriano (Italy, 1983)
Perfect

2013 edition
Outdoor installation
Venue: Market façade
Collaborators: Traders of the Algorta Market